History & Geography

Writer Ted Fox and artist James Otis Smith bring to life Harlem’s legendary theater in this graphic novel adaptation of Fox’s definitive, critically acclaimed history of the Apollo.

Since its inception as an African-American theater in 1934, the Apollo, and the thousands of entertainers who performed there, have led the way in the presentation of swing, bebop, rhythm and blues, jazz, gospel, soul, funk and hip-hop—along with the latest in dance and comedy. The Apollo has nurtured and featured thousands of artists, many of whom have become legends. The beauty they have given the world—their art—transcends the hatred, ignorance, and intolerance that often made their lives difficult. Today, the Apollo enjoys an almost mythical status. With its breathtaking art, this graphic novel adaptation of Showtime at the Apollo brings to life the theater’s legendary significance in music history, African American history, and to the culture of New York City.

Winner of the Guardian First Book award, a first-hand account one of the defining outrages of modern history.

All at once, as it seemed, something we could have only imagined was upon us – and we could still only imagine it. This is what fascinates me most in existence: the peculiar necessity of imagining what is, in fact, real.

In 1994, the Rwandan government orchestrated a campaign of extermination, in which everyone in the Hutu majority was called upon to murder everyone in the Tutsi minority. Close to a million people were slaughtered in a hundred days, and the rest of the world did nothing to stop it. A year later, Philip Gourevitch went to Rwanda to investigate the most unambiguous genocide since Hitler’s war against the Jews.

Hailed by the Guardian as one of the hundred greatest nonfiction books of all time, We Wish To Inform You That Tomorrow We Will Be Killed With Our Families is a first-hand account one of the defining outrages of modern history, an unforgettable anatomy of Rwanda’s decimation. As riveting as it is moving, it is a profound reckoning with humanity’s betrayal and its perseverance.

Why did Eurasians conquer, displace, or decimate Native Americans, Australians, and Africans, instead of the reverse? In this “artful, informative, and delightful” (William H. McNeill, New York Review of Books) book, a classic of our time, evolutionary biologist Jared Diamond dismantles racist theories of human history by revealing the environmental factors actually responsible for its broadest patterns.

The story begins 13,000 years ago, when Stone Age hunter-gatherers constituted the entire human population. Around that time, the developmental paths of human societies on different continents began to diverge greatly. Early domestication of wild plants and animals in the Fertile Crescent, China, Mesoamerica, the Andes, and other areas gave peoples of those regions a head start at a new way of life. But the localized origins of farming and herding proved to be only part of the explanation for their differing fates. The unequal rates at which food production spread from those initial centers were influenced by other features of climate and geography, including the disparate sizes, locations, and even shapes of the continents. Only societies that moved away from the hunter-gatherer stage went on to develop writing, technology, government, and organized religions as well as deadly germs and potent weapons of war. It was those societies, adventuring on sea and land, that invaded others, decimating native inhabitants through slaughter and the spread of disease.

A major landmark in our understanding of human societies, Guns, Germs, and Steel chronicles the way in which the modern world, and its inequalities, came to be.

Known as “the Leopard,” the president of Zaire for thirty-two years, Mobutu Sese Seko, showed all the cunning of his namesake — seducing Western powers, buying up the opposition, and dominating his people with a devastating combination of brutality and charm. While the population was pauperized, he plundered the country’s copper and diamond resources, downing pink champagne in his jungle palace like some modern-day reincarnation of Joseph Conrad’s crazed station manager.

Michela Wrong, a correspondent who witnessed Mobutu’s last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly readable, and as funny as it is tragic, In the Footsteps of Mr. Kurtz assesses the acts of the villains and the heroes in this fascinating story of the Democratic Republic of Congo.