History & Geography

The gripping true tale of a devastating plane crash, the investigation into its causes, and the race to prevent similar disasters in the future.

On July 25, 2000, a Concorde, the world’s fastest passenger plane, was taking off from Charles de Gaulle Airport in Paris when it suddenly burst into flames. An airliner capable of flying at more than twice the speed of sound, the Concorde had completed 25 years of successful flights, whisking wealthy passengers–from diplomats to rock stars to corporate titans–between continents on brief and glamorous flights. Yet on this fateful day, the chartered Concorde jet, en route to America, crashed and killed all 109 passengers and crew onboard and four people on the ground. Urgent questions immediately arose as investigators scrambled to discover what had gone wrong. What caused the fire? Could it have been prevented? And, most urgently, was the Concorde safe to fly?

Last Days of the Concorde addresses these issues and many more, offering a fascinating insider’s look at the dramatic disaster, the hunt for clues, and the systemic overhauls that followed the crash.

Writer Ted Fox and artist James Otis Smith bring to life Harlem’s legendary theater in this graphic novel adaptation of Fox’s definitive, critically acclaimed history of the Apollo.

Since its inception as an African-American theater in 1934, the Apollo, and the thousands of entertainers who performed there, have led the way in the presentation of swing, bebop, rhythm and blues, jazz, gospel, soul, funk and hip-hop—along with the latest in dance and comedy. The Apollo has nurtured and featured thousands of artists, many of whom have become legends. The beauty they have given the world—their art—transcends the hatred, ignorance, and intolerance that often made their lives difficult. Today, the Apollo enjoys an almost mythical status. With its breathtaking art, this graphic novel adaptation of Showtime at the Apollo brings to life the theater’s legendary significance in music history, African American history, and to the culture of New York City.

Winner of the Guardian First Book award, a first-hand account one of the defining outrages of modern history.

All at once, as it seemed, something we could have only imagined was upon us – and we could still only imagine it. This is what fascinates me most in existence: the peculiar necessity of imagining what is, in fact, real.

In 1994, the Rwandan government orchestrated a campaign of extermination, in which everyone in the Hutu majority was called upon to murder everyone in the Tutsi minority. Close to a million people were slaughtered in a hundred days, and the rest of the world did nothing to stop it. A year later, Philip Gourevitch went to Rwanda to investigate the most unambiguous genocide since Hitler’s war against the Jews.

Hailed by the Guardian as one of the hundred greatest nonfiction books of all time, We Wish To Inform You That Tomorrow We Will Be Killed With Our Families is a first-hand account one of the defining outrages of modern history, an unforgettable anatomy of Rwanda’s decimation. As riveting as it is moving, it is a profound reckoning with humanity’s betrayal and its perseverance.