Hardcover
Jakande: His Story Is History
₦5,000.00This book is the story of Alhaji Chief (Dr) Lateef Kayode Jakande who was the first civilian governor of Lagos State (1979 – 1983) and the Honourable Minister of Works and Housing (1993 – 1995).
₦7,500.00
From the founder and activist behind one of the largest movements of the twentieth and twenty-first centuries, the “me too” movement, Tarana Burke debuts a powerful memoir about her own journey to saying those two simple yet infinitely powerful words―me too―and how she brought empathy back to an entire generation in one of the largest cultural events in American history.
This book is the story of Alhaji Chief (Dr) Lateef Kayode Jakande who was the first civilian governor of Lagos State (1979 – 1983) and the Honourable Minister of Works and Housing (1993 – 1995).
The Cartiers is the revealing tale of a jewelry dynasty—four generations, from revolutionary France to the 1970s. At its heart are the three Cartier brothers whose motto was “Never copy, only create” and who made their family firm internationally famous in the early days of the twentieth century, thanks to their unique and complementary talents: Louis, the visionary designer who created the first men’s wristwatch to help an aviator friend tell the time without taking his hands off the controls of his flying machine; Pierre, the master dealmaker who bought the New York headquarters on Fifth Avenue for a double-stranded natural pearl necklace; and Jacques, the globe-trotting gemstone expert whose travels to India gave Cartier access to the world’s best rubies, emeralds, and sapphires, inspiring the celebrated Tutti Frutti jewelry.
Francesca Cartier Brickell, whose great-grandfather was the youngest of the brothers, has traveled the world researching her family’s history, tracking down those connected with her ancestors and discovering long-lost pieces of the puzzle along the way. Now she reveals never-before-told dramas, romances, intrigues, betrayals, and more.
The Cartiers also offers a behind-the-scenes look at the firm’s most iconic jewelry—the notoriously cursed Hope Diamond, the Romanov emeralds, the classic panther pieces—and the long line of stars from the worlds of fashion, film, and royalty who wore them, from Indian maharajas and Russian grand duchesses to Wallis Simpson, Coco Chanel, and Elizabeth Taylor.
Beyoncé. Her name conjures more than music, it has come to be synonymous with beauty, glamour, power, creativity, love, and romance. Her performances are legendary, her album releases events. She is not even forty but she has already rewritten the Beyoncé playbook more than half a dozen times. She is consistently provocative, political and surprising. As a solo artist, she has sold more than 100 million records. She has won 22 Grammys and is the most-nominated woman artist in the history of Grammy awards. Her 2018 performance at Coachella wowed the world. The New York Times wrote: “There’s not likely to be a more meaningful, absorbing, forceful and radical performance by an American musician this year or any year soon.” Artist, business woman, mother, daughter, sister, wife, black feminist, Queen Bey is endlessly fascinating.
Queen Bey features a diverse range of voices, from star academics to outspoken cultural critics to Hollywood and music stars. Some of the essays include
“Beychella is Proof That Beyoncé is the Greatest Performer Alive. I’m Not Arguing.” by Luvvie Ajayi
“On the Journey Together,” by Lena Waithe
“All Her Single Ladies” by Kid Fury
“Beyoncé the Brave” by Reshma Saujani
“Beyoncé’s Radical Ways” by Carmen Perez
“The King of Pop and the Queen of Everything” by Michael Eric Dyson
“The Beauty of Beyoncé” by Fatima Robinson
“King Bey” by Treva B. Lindsey
“Meridonial: Beyoncé’s Southern Roots and References” by Robin M. Boylorn
“B & V: A Love Letter” by Caroline Clarke
The Will to Win: The Story of Biodun Shobanjo is fundamentally a deliberative evaluation of leadership and enterprise management. It is as much a biographical portrait of Nigeria’s ‘Czar of Advertising’ as it is a story of the major developments in the world of marketing communications in Nigeria as it involves Shobanjo. It sheds light on his persona and gives a comprehensive overview of who he is. It is a lucidly engaging work through which the reader understands his parentage, family life and most poignantly, his professional and business life. In a land with few authentic heroes or achievers, Biodun Shobanjo’s contributions, achievements and place are deservedly presented. The avalanche of information provided, the depth of treatment given to it, and the sources consulted make this work a productive venture. The reader is assured of an excursion in history, career development, ambition, decision – making, entrepreneurship, business management, office politics, people management, success and failure. It is a positive work that is faithful to its theme: the path to success is guided by the will to win.
Greenspan’s life is a quintessential American success story: raised by a single mother in the Jewish émigré community of Washington Heights, he was a math prodigy who found a niche as a stats-crunching consultant. A master at explaining the economic weather to captains of industry, he translated that skill into advising Richard Nixon in his 1968 campaign. This led to a perch on the White House Council of Economic Advisers, and then to a dazzling array of business and government roles, from which the path to the Fed was relatively clear. A fire-breathing libertarian and disciple of Ayn Rand in his youth who once called the Fed’s creation a historic mistake, Mallaby shows how Greenspan reinvented himself as a pragmatist once in power. In his analysis, and in his core mission of keeping inflation in check, he was a maestro indeed, and hailed as such. At his retirement in 2006, he was lauded as the age’s necessary man, the veritable God in the machine, the global economy’s avatar. His memoirs sold for record sums to publishers around the world.
But then came 2008. Mallaby’s story lands with both feet on the great crash which did so much to damage Alan Greenspan’s reputation. Mallaby argues that the conventional wisdom is off base: Greenspan wasn’t a naïve ideologue who believed greater regulation was unnecessary. He had pressed for greater regulation of some key areas of finance over the years, and had gotten nowhere. To argue that he didn’t know the risks in irrational markets is to miss the point. He knew more than almost anyone; the question is why he didn’t act, and whether anyone else could or would have. A close reading of Greenspan’s life provides fascinating answers to these questions, answers whose lessons we would do well to heed. Because perhaps Mallaby’s greatest lesson is that economic statesmanship, like political statesmanship, is the art of the possible. The Man Who Knew is a searching reckoning with what exactly comprised the art, and the possible, in the career of Alan Greenspan.
As one of the world’s most widely acclaimed restaurateurs, Nobu’s influence on food and hospitality can be found at the highest levels of haute-cuisine to the food trucks you frequent during the work week—this is the Nobu that the public knows.
But now, we are finally introduced to the private Nobu: the man who failed three times before starting the restaurant that would grow into an empire; the man who credits the love and support of his family as the only thing keeping him from committing suicide when his first restaurant burned down; and the man who values the busboy who makes sure each glass is crystal clear as highly as the chef who slices the fish for Omakase perfectly.
What makes Nobu special, and what made him famous, is the spirit of what exists on these pages. He has the traditional Japanese perspective that there is great pride to be found in every element of doing a job well—no matter how humble that job is. Furthermore, he shows us repeatedly that success is as much about perseverance in the face of adversity as it is about innate talent.
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