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8 year-old Obioma is a football star. She uses a special stick to score goals and never loses a race in her wheelchair! But when she moves to a new city, she has to go to a new school where she has no friends, and everyone calls her “the girl with the wheelchair”.
Obioma misses playing football most of all, until one day a girl named Ayana asks her to race. Once they start playing football, everyone joins in and Obioma finds a new team to play with!
The Will to Win: The Story of Biodun Shobanjo is fundamentally a deliberative evaluation of leadership and enterprise management. It is as much a biographical portrait of Nigeria’s ‘Czar of Advertising’ as it is a story of the major developments in the world of marketing communications in Nigeria as it involves Shobanjo. It sheds light on his persona and gives a comprehensive overview of who he is. It is a lucidly engaging work through which the reader understands his parentage, family life and most poignantly, his professional and business life. In a land with few authentic heroes or achievers, Biodun Shobanjo’s contributions, achievements and place are deservedly presented. The avalanche of information provided, the depth of treatment given to it, and the sources consulted make this work a productive venture. The reader is assured of an excursion in history, career development, ambition, decision – making, entrepreneurship, business management, office politics, people management, success and failure. It is a positive work that is faithful to its theme: the path to success is guided by the will to win.
On a hot Sunday afternoon years ago, two sisters walk in on their father’s sexual liaison with the family’s hired help which leaves them both scarred in different ways. Years later, unable to bear the thought of marriage to a man she barely knows, the younger and more adventurous one, Munachi runs away from home on the eve of her traditional marriage, unwittingly resurrecting a long buried feud between her religious mother and eccentric aunty. This conflict leaves the door open for the family’s destruction.
A compassionate conservative soldier-statesman, Babangida, in or out of office is not likely to be ignored in any honest attempt to understand the great economic and political challenges which beset Nigeria and Africa in the last decades of the twentieth century. Consequently the journey to Nigeria’s future greatness or demise must necessarily take its bearing from the Babangida years.
From the renowned author of The African Trilogy, a political satire about an unnamed African country navigating a path between violence and corruption
As Minister for Culture, former school teacher M. A. Nanga is a man of the people, as cynical as he is charming, and a roguish opportunist. When Odili, an idealistic young teacher, visits his former instructor at the ministry, the division between them is vast. But in the eat-and-let-eat atmosphere, Odili’s idealism soon collides with his lusts—and the two men’s personal and political tauntings threaten to send their country into chaos. When Odili launches a vicious campaign against his former mentor for the same seat in an election, their mutual animosity drives the country to revolution.
Published, prophetically, just days before Nigeria’s first attempted coup in 1966, A Man of the People is an essential part of Achebe’s body of work.
Electric, exhilarating, and beautifully crafted, Ghana Must Go introduces the world to Taiye Selasi, a novelist of extraordinary talent. In a sweeping narrative that takes readers from Accra to Lagos to London to New York, it is at once a portrait of a modern family and an exploration of the importance of where we come from to who we are.
A renowned surgeon and failed husband, Kweku Sai dies suddenly at dawn outside his home in suburban Accra. The news of his death sends a ripple around the world, bringing together the family he abandoned years before. Moving with great elegance through time and place, Ghana Must Go charts their circuitous journey to one another and, along the way, teaches us that the truths we speak can heal the wounds we hide.
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