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In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa’s greatest works of art.
The ‘Benin Bronzes’ are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like ‘visiting relatives behind bars’. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?
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Discover the sights that endear Ogun State to every visitor…another masterpiece from the stable of ‘dayo Adedayo. “Ogun State: A virtual portrait” is an unmissable addition to your collection of narratives on nature and Nigeria from a trusted source.
In this vital re-examination of a shared history, historian and broadcaster David Olusoga tells the rich and revealing story of the long relationship between the British Isles and the people of Africa and the Caribbean.
This edition, fully revised and updated, features a new chapter encompassing the Windrush scandal and the Black Lives Matter protests of 2020, events which put black British history at the centre of urgent national debate. Black and British is vivid confirmation that black history can no longer be kept separate and marginalised. It is woven into the cultural and economic histories of the nation and it belongs to us all.
Drawing on new genealogical research, original records, and expert testimony, Black and British reaches back to Roman Britain, the medieval imagination, Elizabethan ‘blackamoors’ and the global slave-trading empire. It shows that the great industrial boom of the nineteenth century was built on American slavery, and that black Britons fought at Trafalgar and in the trenches of both World Wars. Black British history is woven into the cultural and economic histories of the nation. It is not a singular history, but one that belongs to us all.
Unflinching, confronting taboos, and revealing hitherto unknown scandals, Olusoga describes how the lives of black and white Britons have been entwined for centuries.
Most accounts of Nigeria’s colonisation were written by British officials, presenting it as a noble civilising mission to rid Africans of barbaric superstition and corrupt tribal leadership. Thanks to this skewed writing of history, many Nigerians today still have Empire nostalgia and view the
colonial period through rose-tinted glasses.
Max Siollun offers a bold rethink: an unromanticised history, arguing compellingly that colonialism had few benevolent intentions, but many unjust outcomes. It may have ended slavery and human sacrifice, but it was accompanied by extreme violence; ethnic and religious identity were cynically exploited to maintain control, while the forceful remoulding of longstanding legal and social practices permanently altered the culture and internal politics of indigenous communities. The aftershocks of this colonial meddling are still being felt decades after independence. Popular narratives often suggest that the economic and political turmoil are homegrown, but the reality is that Britain created many of Nigeria’s crises, and has left them behind for Nigerians to resolve.
This is a definitive, head-on confrontation with Nigeria’s experience under British rule, showing how it forever changed the country–perhaps cataclysmically.
In a little over a generation the bones and sinews of the British economy – rail, energy, water, postal services, municipal housing – have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain’s common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills.
Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves.
Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us – the rent we must pay to exist on this private island.
Known as the African Giant, Nigeria’s story is complex and often contradictory. How, despite the ravages of colonialism, civil war, ongoing economic disappointment and most recently the Boko Haram insurgency, has the country managed to stay together for a hundred years? Why, despite an abundance of oil, mineral and agricultural wealth, have so many of its people remained in poverty? These are the key questions explored by Richard Bourne in this remarkable and wide-ranging account of Nigeria’s history, from its creation in 1914 to the historic 2015 elections and beyond.
Featuring a wealth of original research and interviews, this is an essential insight into the shaping of a country where, despite the seemingly dashed optimism that was raised at independence, there remains hope ‘the Nigeria project’ may still succeed.
A landmark historical investigation into crimes against humanity and the nature of evil
Vast and revelatory, Dan Gretton’s I You We Them is an unprecedented study of the perpetrators of crimes against humanity: the “desk killers” who ordered and directed some of the worst atrocities of the modern era. From Albert Speer’s complicity in Nazi barbarism to Royal Dutch Shell’s role in the murders of the Nigerian activist Ken Saro-Wiwa and the rest of the Ogoni Nine, Gretton probes the depths of the figure “who, by giving orders, uses paper or a phone or a computer to kill, instead of a gun.”
Over the past twenty years, Gretton has interviewed survivors and perpetrators, and pored over archives and thousands of pages of testimony. His insight into the psychology of the desk killer is contextualized by the journey he took to penetrate it. Woven into the narrative are his contemplative interludes―perspectives gleaned during walks in the woods, reminiscences about a lost love, and considerations of timeless moral conundrums. The result is a genre-bending work steeped as much in personal reflection as it is in literature and historical and psychological illumination.
A synthesis of history, reportage, and memoir, I You We Them is the first volume of a groundbreaking journal of discovery that bears witness to and reckons with the largest and most pressing questions before humanity.
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