Fiction

Ernest Hemingway, winner of the Nobel Prize in Literature in 1954, exerted a lasting influence on fiction in English through his economical prose style that conceals more than it reveals. His first novel, published in 1926, is narrated by world-weary journalist Jake Barnes, who is burdened by a wound acquired in World War I and by his utterly hopeless love for the flamboyantly decadent Lady Brett Ashley. The Sun Also Rises tracks the Lost Generation of the 1920s from the nightclubs of Paris to the bullfighting arenas of Spain.

In the waning days of the Civil War, brothers Prentiss and Landry—freed by the Emancipation Proclamation—seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys.

Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox.

With candor and sympathy, debut novelist Nathan Harris creates an unforgettable cast of characters, depicting Georgia in the violent crucible of Reconstruction. Equal parts beauty and terror, as gripping as it is moving, The Sweetness of Water is an epic whose grandeur locates humanity and love amid the most harrowing circumstances.

An electrifying work of literary suspense from internationally bestselling author Katrine Engberg, The Tenant—heralded as a “stunning debut” by #1 New York Times bestselling author Kathy Reichs—follows two Copenhagen police detectives struggling to solve a shocking murder and stop a killer hell-bent on revenge.

When a young woman is discovered brutally murdered in her own apartment with an intricate pattern of lines carved into her face, Copenhagen police detectives Jeppe Korner and Anette Werner are assigned to the case. In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous.

But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings.

Evocative and original, The Tenant promises “dark family secrets—and a smorgasbord of surprises”

It wouldn’t be a country house weekend without a little murder. . .

Three rival actresses team up to solve a murder at the stately home of Lettice Davenport, the author whose sleuthing creation of the 1930s, Dahlia Lively, had made each of them famous to a new generation. A contemporary mystery with a Golden Age feel, perfect for fans of Agatha Christie and Jessica Fellowes – and Janice Hallett and Richard Osman, of course!

In attendance at Aldermere: the VIP fans, staying at house; the fan club president turned convention organizer; the team behind the newest movie adaptation of Davenport’s books; the Davenport family themselves; and the three actresses famous for portraying Dahlia Lively through the decades.

There is national treasure Rosalind King, from the original movies, who’s feeling sensitive that she’s past her prime, TV Dahlia for thirteen seasons, Caro Hooper, who believes she really IS Dahlia Lively, and ex-child star Posy Starling, fresh out of the fame wilderness (and rehab) to take on the Dahlia mantle for the new movie – but feeling outclassed by her predecessors.

Each actress has her own interpretation of the character and her own secrets to hide – but this English summer weekend they will have to put aside their differences as the crimes at Aldermere turn anything but cosy.

When fictional death turns into real bodies, can the three Dahlias find the answers to the murders among the fans, the film crew and the family – or even in Lettice’s books themselves?