Fiction

In New York City, you can disappear into the crowd. At least that’s what Gloria Downing desperately hopes as she tries to reinvent herself after a devastating family scandal. She’s ready for a total life makeover and a friend she can lean on—and into her path walks a young, idealistic woman named Estée. Their chance encounter will change Gloria’s life forever.

Estée dreams of success and becoming a household name like Elizabeth Arden, Helena Rubinstein, and Revlon. Before Gloria knows it, she is swept up in her new friend’s mission and while Estée rolls up her sleeves, Gloria begins to discover her own talents. After landing a job at Saks Fifth Avenue, New York’s finest luxury department store, Gloria finds her voice, which proves instrumental in opening doors for Estée’s insatiable ambitions.

But in a world unaccustomed to women with power, they’ll each have to pay the price that comes with daring to live life on their own terms and refusing to back down.

One might as well start with Séraphin: playlist-maker, nerd-jock hybrid, self-appointed merchant of cool, Rwandan, stifled and living in Windhoek, Namibia. Soon he will leave the confines of his family life for the cosmopolitan city of Cape Town, in South Africa, where loyal friends, hormone-saturated parties, adventurous conquests, and race controversies await. More than that, his long-awaited final year in law school promises to deliver a crucial puzzle piece of the Great Plan immigrant: a degree from a prestigious university.

But a year is more than the sum of its parts, and en route to the future, the present must be lived through and even the past must be survived.

From one of Africa’s emerging literary voices comes a lyrical and piquant tale of family, migration, friendship, war, identity, and race following the intersecting lives of Séraphin and a host of eclectic characters from pre- and post-1994 Rwanda, colonial and post-independence Windhoek, Paris and Brussels in the 70s, Nairobi public schools, and the racially charged streets of Cape Town.

In “The Boundary,” one family vacations in the Roman countryside, though we see their lives through the eyes of the caretaker’s daughter, who nurses a wound from her family’s immigrant past. In “P’s Parties,” a Roman couple, now empty nesters, finds comfort and community with foreigners at their friend’s yearly birthday gathering—until the husband crosses a line.

And in “The Steps,” on a public staircase that connects two neighborhoods and the residents who climb up and down it, we see Italy’s capital in all of its social and cultural variegations, filled with the tensions of a changing city: visibility and invisibility, random acts of aggression, the challenge of straddling worlds and cultures, and the meaning of home.

These are splendid, searching stories, written in Jhumpa Lahiri’s adopted language of Italian and seamlessly translated by the author and by Knopf editor Todd Portnowitz. Stories steeped in the moods of Italian master Alberto Moravia and guided, in the concluding tale, by the ineluctable ghost of Dante Alighieri, whose words lead the protagonist toward a new way of life.

It should have been the perfect spring break: Five girlfriends. A remote winery on the Oregon coast. An infinite supply of delicious wine at their manicured fingertips. But then their center—beautiful, magnetic Vanessa Morales—vanished without a trace.

Emily Fischer was perhaps the last person to see her alive. But now, years later, Emily spots Vanessa’s doppelganger at a local café. At the end of her rope working a lucrative yet mind-numbing gig on a network sitcom, Emily is inspired to finally tell the story that’s been percolating inside her for so long: Vanessa’s story. But first, she needs to know what really happened on that fateful night. So she puts a brilliant scheme into motion.

She gets the girls together for a reunion weekend at the scene of the crime under the guise of reconnecting. There’s Brittany, Vanessa’s cousin and the inheritor of the winery; Paige, a former athlete, bullish yet easily manipulated; and Lydia, the wallflower of the group.

One of them knows the truth. But what have they each been hiding? And how much can Emily trust anything she learns from them . . . or even her own memories of Vanessa’s last days?

Suspenseful, propulsive, and interspersed with scenes from Emily’s blockbuster screenplay, Scenes of the Crime is an unforgettable mystery that examines culpability, the shiny rearview mirror of Hollywood storytelling, and the pitfalls of female friendship.

Rome, 1965: Aspiring actress Silvia Whitford arrives at Rome’s famed Cinecittà Studios from Los Angeles, ready for her big break and a taste of la dolce vita. Instead, she learns that the movie in which she was cast has been canceled. Desperate for money, Silvia has only one choice: seek out the Italian aunt she has never met.

Gabriella Conti lives in a crumbling castello on the edge of a volcanic lake. Silvia’s mother refuses to explain the rift that drove the sisters apart, but Silvia is fascinated by Gabriella, a once-famous actress who still radiates charisma. And the eerie castle inspires Silvia’s second chance when it becomes the location for a new horror movie, aptly named The Revenge of the Lake Witch—and she lands a starring role.

Silvia immerses herself in the part of an ingenue tormented by the ghost of her beautiful, seductive ancestor. But when Gabriella abruptly vanishes, the movie’s make-believe terrors seep into reality. No one else on set seems to share Silvia’s suspicions. Yet as she delves into Gabriella’s disappearance, she triggers a chain of events that illuminate dark secrets in the past—and a growing menace in the present…