Fiction

It is 1995, and Anvar Faris is a restless, rebellious, and sharp-tongued boy doing his best to grow up in Karachi, Pakistan. As fundamentalism takes root within the social order and the zealots next door attempt to make Islam great again, his family decides, not quite unanimously, to start life over in California. Ironically, Anvar’s deeply devout mother and his model-Muslim brother adjust easily to life in America, while his fun-loving father can’t find anyone he relates to. For his part, Anvar fully commits to being a bad Muslim.

At the same time, thousands of miles away, Safwa, a young girl living in war-torn Baghdad with her grief-stricken, conservative father will find a very different and far more dangerous path to America. When Anvar and Safwa’s worlds collide as two remarkable, strong-willed adults, their contradictory, intertwined fates will rock their community, and families, to their core.

The Bad Muslim Discount is an irreverent, poignant, and often hysterically funny debut novel by an amazing new voice. With deep insight, warmth, and an irreverent sense of humor, Syed M. Masood examines universal questions of identity, faith (or lack thereof), and belonging through the lens of Muslim Americans.

The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting.”

Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you’re from.

Freelance writer Sora Reid believes in inertia. She’s the odd one out in a close-knit family of go-getters, including her Japanese-American mom, who hints about her need to lose weight, and her soon-to-be married, overachieving younger sister, who needs her to have a date for the wedding, since a wedding party couples’ dance with their Scottish great uncle Bob simply won’t do. For Sora, minimal input, minimal expectations is the way to go. She’d rather stay at home with her insufferable neighbor and her adorable pitbull.

The one thing that disrupts her inertia: an intense dislike for Valentine’s Day. What is it with the commercial love machine? Why do we pin our hopes on one romantic day, when staying home with a package of bacon and a bottle of tequila would be way better? Sora’s been betrayed and disappointed more than once and her heart is starting to feel like her Grandma Mitsuye’s antique Japanese ceramic bowl, with its many gold-filled cracks.

When her pledge to stay single in February inspires readers to #gosolo, Sora has a responsibility to empower her readers. But relationships aren’t built to last, so it shouldn’t be that hard. Right?

Enter Jack Mann. A muscle-bound baker who looks like he lifts logs on the weekends, Sora hasn’t thought of Jack since they were in elementary school together. When they see each other at the local grocery store and the attraction hits hard, Sora knows she has to shut it down, quick. She can’t #gosolo AND get the guy. She can’t let down her readers. And relationships always end, so why should Jack be any different–even though he’s confounding all her long-held expectations of love?