Fiction

Jessica and Emily Burnstein have very different ideas of how this college tour should go.

For Emily, it’s a preview of freedom, exploring the possibility of her new and more exciting future. Not that she’s sure she even wants to go to college, but let’s ignore that for now. And maybe the other kids on the tour will like her more than the ones at school. . . . They have to, right?

For Jessica, it’s a chance to bond with the daughter she seems to have lost. They used to be so close, but then Goldfish crackers and Play-Doh were no longer enough of a draw. She isn’t even sure if Emily likes her anymore. To be honest, Jessica isn’t sure she likes herself.

Together with a dozen strangers–and two familiar enemies–Jessica and Emily travel the East Coast, meeting up with family and old friends along the way. Surprises and secrets threaten their relationship and, in the end, change it forever.

Two worlds, four stories, infinite possibilities

In “I’m Waiting for You” and “On My Way,” an engaged couple coordinate their separate missions to distant corners of the galaxy to ensure—through relativity—they can arrive back on Earth simultaneously to make it down the aisle. But small incidents wreak havoc on space and time, driving their wedding date further away. As centuries on Earth pass and the land and climate change, one thing is constant: the desire of the lovers to be together. In two separate yet linked stories, Kim Bo-Young cleverly demonstrate the idea love that is timeless and hope springs eternal, despite seemingly insurmountable challenges and the deepest despair.

In “The Prophet of Corruption” and “That One Life,” humanity is viewed through the eyes of its creators: godlike beings for which everything on Earth—from the richest woman to a speck of dirt—is an extension of their will. When one of the creations questions the righteousness of this arrangement, it is deemed a perversion—a disease—that must be excised and cured. Yet the Prophet Naban, whose “child” is rebelling, isn’t sure the rebellion is bad. What if that which is considered criminal is instead the natural order—and those who condemn it corrupt? Exploring the dichotomy between the philosophical and the corporeal, Kim ponders the fate of free-will, as she considers the most basic of questions: who am I?

In his first-ever short story collection, which spans forty years of work, Alan Moore presents a series of wildly different and equally unforgettable characters who discover–and in some cases even make and unmake–the various uncharted parts of existence.

In “A Hypothetical Lizard,” two concubines in a brothel of fantastical specialists fall in love with tragic ramifications. In “Not Even Legend,” a paranormal study group is infiltrated by one of the otherworldly beings they seek to investigate. In “Illuminations,” a nostalgic older man decides to visit a seaside resort from his youth and finds the past all too close at hand. And in the monumental novella “What We Can Know About Thunderman,” which charts the surreal and Kafkaesque history of the comics industry’s major players over the last seventy-five years, Moore reveals the dark, beating heart of the superhero business.

From ghosts and otherworldly creatures to theoretical Boltzmann brains fashioning the universe at the big bang, Illuminations is exactly that–a series of bright, startling tales from a contemporary legend that reveal the full power of imagination and magic.