Fiction

Jane is unhappy.

A struggling midlist writer whose novels barely command four figures, she feels trapped in an underwhelming marriage, just scraping by to pay a crippling Bay Area mortgage for a house—a life—she’s never really wanted.

There’s only ever been one person she cared about, one person who truly understood her: Thalia. Jane’s best and only friend nearly a decade ago during their Creative Writing days at Oxford. It was the only good year of Jane’s life—cobblestones and books and damp English air, heady wine and sweet cider and Thalia, endless Thalia. But then one night ruined everything. The blood-soaked night that should have bound Thalia to Jane forever but instead made her lose her completely. Thalia disappeared without a trace, and Jane has been unable to find her since.

Until now.

Because there she is, her name at the top of the New York Times bestseller list: A Most Pleasant Death by Thalia Ashcroft. When she discovers a post from Thalia on her website about attending a book convention in New York City in a week—“Can’t wait to see you there!”—Jane can’t wait either.

She’ll go to New York City, too, credit card bill be damned. And this time, she will do things right. Jane won’t lose Thalia again.

In “The Boundary,” one family vacations in the Roman countryside, though we see their lives through the eyes of the caretaker’s daughter, who nurses a wound from her family’s immigrant past. In “P’s Parties,” a Roman couple, now empty nesters, finds comfort and community with foreigners at their friend’s yearly birthday gathering—until the husband crosses a line.

And in “The Steps,” on a public staircase that connects two neighborhoods and the residents who climb up and down it, we see Italy’s capital in all of its social and cultural variegations, filled with the tensions of a changing city: visibility and invisibility, random acts of aggression, the challenge of straddling worlds and cultures, and the meaning of home.

These are splendid, searching stories, written in Jhumpa Lahiri’s adopted language of Italian and seamlessly translated by the author and by Knopf editor Todd Portnowitz. Stories steeped in the moods of Italian master Alberto Moravia and guided, in the concluding tale, by the ineluctable ghost of Dante Alighieri, whose words lead the protagonist toward a new way of life.

Shouldn’t finding a life partner be more challenging than ordering a pizza? Welcome to Virtually Yours, a virtual dating app that provides all the proof of being in a relationship without actually being in one. With her career front of mind, Eva Estrella joins Virtually Yours, after a nudge from her sister, to alleviate some family pressure as she continues to look for her dream job in journalism. While Max Kittridge, a former child star in the middle of a divorce, takes a gig at Virtually Yours servicing multiple clients as a fake boyfriend. As they navigate their current circumstances, both Eva and Max find that sometimes what you’re looking for is right in front of you.

Virtually Yours is a rom-com for the digital age from writer Jeremy Holt and artist Elizabeth Beals. This exciting new collaboration includes letterer Adam Wollet, book designer Tim Daniel, and editor Kat Vendetti. Together, they present a refreshing take on a beloved genre that will appeal to anyone familiar with love in the time of the internet.

In Morrison’s acclaimed first novel, Pecola Breedlove—an 11-year-old Black girl in an America whose love for its blond, blue-eyed children can devastate all others—prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning, and the tragedy of its fulfillment.

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms. It’s known that the former occupants left abruptly, but where did they go? And why do the patients all seem to share the same nightmare, one so horrific that they dare not speak of it?

Two down-on-their-luck comedians embark on a road tour and find more than a few good laughs on the way.

Olivia Vincent dreams of stand-up comedy stardom. Bustling around a busy Manhattan office by day and hustling from club to club by night, she can’t catch a break. Work is falling through the cracks, and after ditching a major client to make a performance, Olivia gets the boot.

Determined to pursue her dreams, she snags an audition in Los Angeles for a coveted spot on late-night TV. But the only way to get there is to join seasoned stand-up Nick Leto on a cross-country road tour. She agrees on one condition—no funny business.

Icky comedy condos, tiny smoking nightclubs, and Nick’s incessant classic rock radio are a far cry from life on the Upper East Side. Reality sets in, and Olivia wonders if she can hack it in showbiz or if she’s just a hack. As Nick helps Olivia improve her act along the way, sparks begin to fly and ignite what they thought was an impossible flame. Maybe being stuck with Nick in a Jeep isn’t so bad. As long as it doesn’t get in the way of Olivia’s actual funny business.

Hillary Greene’s father, once a celebrated author and public figure, is now losing his memory and, with it, his ability to write. As her father’s primary caretaker, each day begins with two eggs, boiled and Charlie Rose or some other host on the iPad screen. Her father compulsively watches himself in old interviews, memorizing his own speech, trying to hang on to who he was.

An aspiring author herself, Hillary impulsively agrees to ghost-write his final work—a memoir spanning his career—and release it in his name. Diving deep into her father’s past, and in turn her own, a horrifying truth begins to piece itself together.

With full control over her father’s memoir, Hillary is faced with a stark choice: reveal her father as a monster or preserve his legacy as a respected literary figure. But she wonders what writing the truth will do to her and if it will damage her own prospects for a career. Whichever option she chooses, Hillary has to deal with the significant pain writing the memoir has re-surfaced—specifically, how the truth about her father adds to her grief over the death of her enigmatic sister, Pauline. For the first time in her life, Hillary holds the power.

Set in the wake of the #MeToo and Time’s Up movements, What We Both Know is a visceral, intimate, and complex novel about confronting the personal and professional consequences—and potentially devastating fallout—of revealing the truth about a famous man.