Biography & Autobiography

Cathrin Bradbury’s seemingly stable world implodes in the space of a few months. Her beloved parents die; her marriage limps to an end after twenty-five years; her heavily mortgaged house turns against her; and a promising new romance ends in crushing disappointment. Never one to slow down for self-reflection, Bradbury now suddenly finds herself in her fifties, stone still, and crumbling to rubble in the midst of so much turmoil.

But the wrecking ball tearing her existence apart has cleared the way for a new path (or three or four) to open up. As a distraught Bradbury navigates these setbacks and heartbreak, she discovers welcome surprises and unexpected upsides revealing themselves as well. After 20 years of upheaval and estrangement, her troubled brother makes an astounding recovery to health and sobriety; she is reunited with her closest childhood friend after decades of absence; and Bradbury and her four siblings feel their way to becoming a new kind of family without their parents. She discovers that the path of profound change is steep, the view obscured, but there’s light ahead—if you’re brave enough to look for it.

Cathartic, hilarious, and deeply moving, The Bright Side proves that every situation has a silver lining—even when it’s just the duct tape holding the fragments of your life together.

In the fall of 1959, Harvard recruited an unprecedented eighteen “Negro” boys as an early form of affirmative action. Four years later they would graduate as African Americans. Some fifty years later, one of these trailblazing Harvard grads, Kent Garrett, would begin to reconnect with his classmates and explore their vastly different backgrounds, lives, and what their time at Harvard meant.

Garrett and his partner Jeanne Ellsworth recount how these eighteen youths broke new ground, with ramifications that extended far past the iconic Yard. By the time they were seniors, they would have demonstrated against national injustice and grappled with the racism of academia, had dinner with Malcolm X and fought alongside their African national classmates for the right to form a Black students’ organization.

Part memoir, part group portrait, and part narrative history of the intersection between the civil rights movement and higher education, this is the remarkable story of brilliant, singular boys whose identities were changed at and by Harvard, and who, in turn, changed Harvard.

Coetzee grew up in a new development north of Cape Town, tormented by guilt and fear. With a father he despised, and a mother he both adored and resented, he led a double life—the brilliant and well-behaved student at school, the princely despot at home, always terrified of losing his mother’s love. His first encounters with literature, the awakenings of sexual desire, and a growing awareness of apartheid left him with baffling questions; and only in his love of the high veld (“farms are places of freedom, of life”) could he find a sense of belonging. Bold and telling, this masterly evocation of a young boy’s life is the book Coetzee’s many admirers have been waiting for, but never could have expected.

In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone.

It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times.

When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live.

How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

The Boot Room story starts in 1959 when Bill Shankly arrived and converted a 12 x 12storage room into a meeting place for him and his coaches, a move that had momentous consequences, both for the Club and British football.

Fans in the Kop will remember the heart-stopping extra time of the 1965 FA Cup Final, and the jubilation of winning the treble in 1984. But what was the common thread during Liverpool’s glory years? It was the Boot Room.

Lifelong Liverpool supporter and editor of legendary fanzine The End, Peter Hooton takes us back into that old storage room, where first Shankly, then Paisley, Fagan and Dalglish in succession, drank tea, analysed, strategized, selected and deselected, and built the most successful British club in Europe in the 20th Century.

Illustrated throughout with powerful never-before-seen images from the Mirror, the Echo and the Liverpool Post, Peter Hooton sheds new light on the story behind Liverpool FC ‘s most exulted era, and celebrates a city flourishing around it.