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The long-awaited sequel to A Column of Fire, The Armor of Light, heralds a new dawn for Kingsbridge, England, where progress clashes with tradition, class struggles push into every part of society, and war in Europe engulfs the entire continent and beyond.
The Spinning Jenny was invented in 1770, and with that, a new era of manufacturing and industry changed lives everywhere within a generation. A world filled with unrest wrestles for control over this new world order: A mother’s husband is killed in a work accident due to negligence; a young woman fights to fund her school for impoverished children; a well-intentioned young man unexpectedly inherits a failing business; one man ruthlessly protects his wealth no matter the cost, all the while war cries are heard from France, as Napoleon sets forth a violent master plan to become emperor of the world. As institutions are challenged and toppled in unprecedented fashion, ripples of change ricochet through our characters’ lives as they are left to reckon with the future and a world they must rebuild from the ashes of war.

Over thirty years ago, Ken Follett published his most popular novel, The Pillars of the Earth. Now, with this electrifying addition to the Kingsbridge series we are plunged into the battlefield between compassion and greed, love and hate, progress and tradition. It is through each character that we are given a new perspective to the seismic shifts that shook the world in nineteenth-century Europe.

The most celebrated and revered writer of our time gives us a new nonfiction collection: a rich gathering of her essays, speeches, and meditations on race, society, justice, culture, and art, spanning four decades.

The Source of Self-Regard brims with the elegance, literary prowess, and moral gravitas that are Toni Morrison’s inimitable hallmarks. Its forty-four essays (all previously published) are divided into three parts: the first is introduced by a powerful prayer for the dead of 9/11, the second by a searching meditation on Martin Luther King Jr., and the last by a heart-wrenching eulogy for James Baldwin. In the writings and speeches collected here, Morrison takes on contested social issues: the foreigner, female empowerment, the press, money, “black matter(s),” and human rights.

She illuminates enduring matters of culture: the role of the artist in society, goodness in the literary imagination, the Afro-American presence in American literature, and in her Nobel lecture, the power of language itself. And here too is piercing commentary on her own work (including The Bluest Eye, Sula, Tar Baby, Jazz, Beloved, and Paradise) and that of others, from painter Romare Bearden and author Toni Cade Bambara to theater director Peter Sellars. Fiercely intelligent, gorgeously written, humbling, and inspiring, The Source of Self-Regard is a luminous and essential addition to the Toni Morrison canon.